J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - Jesu, Joy Of Man's Desiring, BWV147 - Stuttgarter Kammerorchester, Karl Münchinger, Johann Sebastian Bach

J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - Jesu, Joy Of Man's Desiring, BWV147 - Stuttgarter Kammerorchester, Karl Münchinger, Johann Sebastian Bach

Альбом
Bach, J.S.: Orchestral Works
Год
1997
Язык
`Engelska`
Длительность
181680

Nedan finns texten till låten J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - Jesu, Joy Of Man's Desiring, BWV147 , artist - Stuttgarter Kammerorchester, Karl Münchinger, Johann Sebastian Bach med översättning

Låttexten " J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - Jesu, Joy Of Man's Desiring, BWV147 "

Originaltext med översättning

J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - Jesu, Joy Of Man's Desiring, BWV147

Stuttgarter Kammerorchester, Karl Münchinger, Johann Sebastian Bach

From Fri Sep 22 21:28:39 PDT 1995

Article: 21 478 of rec.music.makers.guitar.acoustic

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From: (Jeff Johnson)

Newsgroups: rec.music.makers.guitar.acoustic

Subject: TAB: Jesu, Joy of Man’s Desiring (J.S. Bach)

Date: 22 Sep 1995 16:21:56 GMT

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TAB: Jesu, Joy of Man’s Desiring (J.S. Bach)

Arranged by Jeff Johnson from sheet music.

Standard tuning, key of G, ¾ time.

The melody consists of triplet eighth-notes, nine/measure, except where

Marked as duplets (_2_), i.e., 2 notes/beat instead of three.

The

Bassline consists of quarter notes, three/measure.

Written inline, without repeats, because each time through a section is

Slightly different.

E.g., the first few notes of Verses 2 and 3 differ

>from those of Verse 1, the last measure of Chorus 3 differs from those

Of Choruses 1 and 2, and the last note of Verse 3 (which leads to the

Bridge) differs from the last note of Verse 1. I thought it would be

Too complicated to try to indicate in a single tab of a section what to

Play on each different time through that section.

Crucial fingerings are marked when not obvious, e.g., (3).

Verse 1 (2)

III_________________

Chorus 1

(4) II_______________

Verse 2

|---3p1−0-----------|

(I skip the G arpeggio this

|---------2p0---0---|

time, and cut straight to

|-2---------------4-|

the chorus, but one could

|-3-----4-----5-----|

play it again, if desired.)

Chorus 2

Verse 3

III__________II_____

Bridge

III__________ (2) (3)

Chorus 3

Transition to Finale

III_________________

Verse 4 (Finale)

Ritard (slow down)

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